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• Preface
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Artwork: Papiers collés blanc et bleu

Photo-souvenir : Papiers collés, septembre 1969, travail in situ in “Prospect 69”, Städtische Kunsthalle, Düsseldorf. © Photo : droits réservés.

T III 131

Papiers collés blanc et bleu

Pasted up blue and white papers

1969

Work in situ

in "Prospect 69. Katalog-Zeitung zur Internationalen Vorschau auf die Kunst in den Galerien der Avantgarde", Städtische Kunsthalle

Group exhibition

Alternating white and blue vertical striped paper, each stripe 8.7 cm wide, paste.

In all: ± 850 x 826 cm. Each piece of paper: ± 52 x 78.3 cm.

Düsseldorf, Germany

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Description

Utilization of the same location in the space of the exhibition and in the catalogue as the preceding year. Only the color, blue instead of green, and the gallery, Yvon Lambert (Paris), instead of the Gallery Apollinaire (Milan, Italy) changed.

Contrary to the absence of indication the year before, for "Prospect 68", the names of the artist and of the invited/inviting gallery are indicated.

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Exhibits

September 30 to December 10 1969, “Prospect 69”

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Biblios

* Herchenröder, Christian : Die internationale Avantgarde gibt sich kühl, in Handelsblatt, [Düsseldorf] : (Handelsblatt), n°190, 3 et 4 octobre 1969 1969, allemande, cit. p. 24.

* Denizot, René : “Prospect 69” à Düsseldorf / Arrière et avant-garde d’aujourd’hui”, in Les Lettres françaises, Paris : Les Lettres françaises, n° 1306, 29 octobre-4 novembre 1969, cit. p. 26, 27, repr. p. 27 (indiqué par erreur : bandes verticales de sept centimètrecs de large).

* Claura, Michel : Comment (on Buren's text), in Studio International, Londres : Studio International, volume 179, n° 920, mars 1970, anglais, cit p. 105

* Honnef, Klaus : "Concept Art", in Magazin Kunst, Mayence, année 10, n°38, 2ème trimestre 1970, allemand, repr. p. 1774

* Schwarzbauer, Georg F. : "Das Prinzip der Wiederholung", in Magazin Kunst , Mayence : Alexander Baier - Presse (ABP), année 14, n° 4, dernier trimestre 1974, allemand, cit. et repr. coul. p. 49

* Buren, Daniel : [Descriptions], in Discordance / Cohérence, Eindhoven : Van Abbemuseum, mars 1976, français, anglais, cit. B13, repr. p. 5.

* Buchloh, Benjamin H. D.; Matheson, John : [Chronologie], in Prospect - Retrospect : Europa 1946-1976, Cologne : Verlag der Buchhandlung Walther König, octobre 1976, allemand, repr. p. 133

* Celant, Germano : Precronistoria 1966-69, Florence : Centro Di, 1976, Italien, repr. p. 90

* Baldassari, Anne; Buren, Daniel : "Entrevue", in Daniel Buren / Entrevue : Conversations avec Anne Baldassari, Paris : Musée des Arts Décoratifs / Flammarion, 25 mars 1987, cit. p. 49, repr. p. 50

* Buren, Daniel : "Légendes", in Daniel Buren : Photos-Souvenirs 1965-1988, Villeurbanne : Art Édition, 1988, cit. p. 285, repr. n° 32

* "Manifeste und Dokumente", in Um 1968 : konkrete Utopien in Kunst und Gesellschaft, Cologne : DuMont Buchverlag, 1990, allemand, repr. p. 79

* Buren, Daniel; Krystof, Doris : "Das dritte Auge" [entretien avec Doris Krystof], in Erscheinen, Scheinen, Verschwinden, Düsseldorf : Kunstsammlung Nordrhein-Westfalen/ Richter Verlag, juin 1996, allemagne, cit. p. 153

* "Daniel Buren : Papiers collés blanc et orange, travail in situ, 1968-2017", in Wirtschaftswerte / Museumswerte (livret de visite) : Kunsthalle Düsseldorf, avril 2017, allemand, anglais, cit. n. p.

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Collection
Work destroyed after the exhibition

Photo-souvenir : Papiers collés, septembre 1969, travail in situ in “Prospect 69”, Städtische Kunsthalle,, Düsseldorf. © Photo : droits réservés.