Super 8 mm films, color and sound.
Presentation of 8 films, made on Super 8 mm color film with sound added later, starting with a Scopitone - a device that could be found at that time in all the cafes in Paris - a sort of Juke-Box for films which allowed the user to select and watch individual films on an unpolished glass screen.
The Scopitone was brought into the gallery space in the middle of the works of the preceding exhibition, left as it was and played during the show.
Titles of the films:
• La Critique et La Foi, (3'5"), text by Michel Claura;
• Températures relevées sous abri and Évolution probable du temps (4'10"), text by Daniel Buren and Michel Claura;
• Biographie (20"), text by Daniel Buren;
• La partie de cartes (4'15"), text by Daniel Buren;
• Mise au point (20"), text by Daniel Buren;
• Qu'est-ce qui essentiellement est à dire? (4'20"), text by René Denizot;
• Petites annonces (3'5"), text by Daniel Buren and Michel Claura;
• Topographie (25"), text by Daniel Buren.
Texts: Daniel Buren, Michel Claura, René Denizot
Director: Daniel Buren
Production: Yvon Lambert
Cameraman: Jacques Caumont
The entire collection of films "Interruption" is available in the DVD Works and Process "Daniel Buren", a.p.r.e.s. editions, Paris 2002: www.apres-production.com
Notice (8): Undefined index: mois [APP/views/artworks/view5.ctp, line 68]Code |
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"description_originales_notes_diverses" => "Buren, 1988, Photos-Souvenirs, n°33-36
“Présentation de huit films par le moyen d’un appareil appelé Scopitone que l’on trouvait alors dans tous les cafés parisiens. La galerie était laissée dans l’état précédent, c’est-à-dire incluant les œuvres du groupe précédemment présenté ; seul le Scopitone était introduit dans l’espace au milieu des œuvres habituelles de la galerie.
Les films furent réalisés techniquement par Jacques Caumont, les textes écrits par Michel Claura, René Denizot et Daniel Buren. La mise en scène était de Daniel Buren et la production assurée par Yvon Lambert. “
image 398 :
Deux personnes dans un musée. Il n’y a pas de doute, pour apprécier l’art, il faut connaître et comprendre tous les problèmes qu’avait l’artiste lorsqu’il a peint.
– Oui, c’est comme ma bonne, elle a divorcé, et puis sa mère était malade, d’accord ! /...Mais ça déteignait sur son travail, je l’ai mise à la porte.",
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"nota" => "Vérifié avec DB
Verifier 8 ou 16 mm. Sur internet : Scopîtone = 16 mm
http://fr.wikipedia.org/wiki/Scopitone : NON l lles films de DB sont en 8,5 mm
----------------------------------------------------------------------------------------
_Dans lettre de DB à Pierre Apraxine, MOMA, New York, du 4.1.1970 :
“;;;: A toutes fins utiles, je vous indique également que les films qui ont été faits sont en “Super 8” et son magnétique et marchaient dans un appareil appelé : “Cinématic”. Pour la marque “Scopitone” je crois savoir que les films sont en 16 mn.../”
_____________________
Verifier Biblio texte de G. Boudaille in Les Lettres Françaises, n° 1282, mai 1969 :”
“Je sais, par ses confidences, qu’il avait envisagé de déployer en plusieurs points publics de Paris et de la banlieue, de grandes surfaces de bandes vertes. Mais, dans les circonstances politiques que connaît la France, on ne sait jamais et cet affichage aurait pu être interprété comme une provocation.../”
in Les Ecrits :TI, p. 69:
“.../ On a pu, on peut, on pourra voir ce que nous appellerons “mon travail, dans les rues ou ailleurs, à Paris ou ailleurs, sans lieu public privilégié; .../”. Donc voir date affichage sauvage
_________________________________
Verifier si biblio dans cat Documenta
__________________________________________
A vérifier par Vesna
* Boudaille, Georges, “Buren : le scopitone contestataire”, in Les Lettres Françaises, Paris, mai 1969, n° 1282, cit. p.x.
* Gassiot-Talabot, Gérard, “La Proposition de Buren” (”Interrogatoire” - entretien avec Daniel Buren), in Opus International, Paris, n° 12, juin 1969, cit. p. 16,17, 19.
* Claura, Michel, “Comment”, in Studio International, Londres, volume 179, n° 920, mars 1970, cit. p.105.
* Denizot, René, “Qu’est-ce qui, essentiellement, est à dire ?”, in Studio International / Book Supplement, Londres, juillet-août 1970, n° 17 / 6, cit. p. x.
* Buren, Daniel, “Didascalies”, in Photos-Souvenirs 1965-1988, Villeurbanne : Art Édition, décembre 1988, cit. n° 33-36, p. 285., repr. n° 33-36, n.p.
* Buren, Daniel / Claura, Michel / Denizot, Michel, “Températures relevées sous abri et évolution probable du temps”, (texte de 1969, inédit en 1991) in Les Écrits, Bordeaux : capc, tome I, 1965-1990, 2e trim. 1991, cit. p. 65-67.
* Buren, Daniel, in Mot à Mot, Paris : Centre Pompidou / Éditions Xavier Barral / Éditions de la Martinière, juin 2002, cit. repr. coul. p. F14-F15.
----------------------------------------------------------------------------
unes phoos n° 5/23 ? André Raffray",
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repris dans [”Interruption”], in Chroniques de l’Art Vivant, Paris, juillet 1969, n° 3.
* Boudaille, Georges, “Buren : Le scopitone contestataire”, in Les Lettres Françaises, Paris, mai 1969, n° 1282, cit. p.x.
* Gassiot-Talabot, Gérard, “La Proposition de Buren” (”Interrogatoire” - entretien avec Daniel Buren), in Opus International, Paris, juin 1969, n° 12, cit. p. 16,17, 19.
* Claura, Michel, “Comment”, in Studio International, Londres, mars 1970, volume 179, n° 920, cit. p.105.
* Denizot, René, “Qu’est-ce qui, essentiellement, est à dire ?”, in Studio International / Book Supplement, Londres, juillet-août 1970, n° 17 / 6, cit. p. x.
* Buren, Daniel, “Didascalies”, in Photos-Souvenirs 1965-1988, Villeurbanne : Art Édition, décembre 1988, cit. n° 33-36, p. 285., repr. n° 33-36, n.p.
* Buren, Daniel / Claura, Michel / Denizot, Michel, “Températures relevées sous abri et évolution probable du temps”, [texte de 1969, inédit en 1991] in Les Écrits, Bordeaux : capc, tome I, 1965-1990, 2e trim. 1991, cit. p. 65-67.
* Buren, Daniel, in Mot à Mot, Paris : Centre Pompidou / Éditions Xavier Barral / Éditions de la Martinière, juin 2002, cit. repr. coul. p. F14-F15.",
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• Températures relevées sous abri and Évolution probable du temps (4'10"), text by Daniel Buren and Michel Claura;
• Biographie (20"), text by Daniel Buren;
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• Petites annonces (3'5"), text by Daniel Buren and Michel Claura;
• Topographie (25"), text by Daniel Buren.
Texts: Daniel Buren, Michel Claura, René Denizot
Director: Daniel Buren
Production: Yvon Lambert
Cameraman: Jacques Caumont
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include - APP/views/artworks/view5.ctp, line 68
View::_render() - CORE/cake/libs/view/view.php, line 731
View::render() - CORE/cake/libs/view/view.php, line 426
Controller::render() - CORE/cake/libs/controller/controller.php, line 909
ArtworksController::view() - APP/controllers/artworks_controller.php, line 263
Dispatcher::_invoke() - CORE/cake/dispatcher.php, line 204
Dispatcher::dispatch() - CORE/cake/dispatcher.php, line 171
[main] - APP/webroot/index.php, line 83
2010,
Notice (8): Undefined index: titre_expo_original [APP/views/artworks/view5.ctp, line 73]Code |
Context else
{
print $expo['ExhibitLang']['titre_expo_original'];
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"description_originales_notes_diverses" => "Buren, 1988, Photos-Souvenirs, n°33-36
“Présentation de huit films par le moyen d’un appareil appelé Scopitone que l’on trouvait alors dans tous les cafés parisiens. La galerie était laissée dans l’état précédent, c’est-à-dire incluant les œuvres du groupe précédemment présenté ; seul le Scopitone était introduit dans l’espace au milieu des œuvres habituelles de la galerie.
Les films furent réalisés techniquement par Jacques Caumont, les textes écrits par Michel Claura, René Denizot et Daniel Buren. La mise en scène était de Daniel Buren et la production assurée par Yvon Lambert. “
image 398 :
Deux personnes dans un musée. Il n’y a pas de doute, pour apprécier l’art, il faut connaître et comprendre tous les problèmes qu’avait l’artiste lorsqu’il a peint.
– Oui, c’est comme ma bonne, elle a divorcé, et puis sa mère était malade, d’accord ! /...Mais ça déteignait sur son travail, je l’ai mise à la porte.",
"don_de_l_artiste" => "",
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"expositions" => "1969 Parisvoir Paris 20022010 Sérignan (film La partie de cartes )",
"fiche_description_cat_rais" => "",
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"france" => "",
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"nbre_caisse_s_" => "",
"nota" => "Vérifié avec DB
Verifier 8 ou 16 mm. Sur internet : Scopîtone = 16 mm
http://fr.wikipedia.org/wiki/Scopitone : NON l lles films de DB sont en 8,5 mm
----------------------------------------------------------------------------------------
_Dans lettre de DB à Pierre Apraxine, MOMA, New York, du 4.1.1970 :
“;;;: A toutes fins utiles, je vous indique également que les films qui ont été faits sont en “Super 8” et son magnétique et marchaient dans un appareil appelé : “Cinématic”. Pour la marque “Scopitone” je crois savoir que les films sont en 16 mn.../”
_____________________
Verifier Biblio texte de G. Boudaille in Les Lettres Françaises, n° 1282, mai 1969 :”
“Je sais, par ses confidences, qu’il avait envisagé de déployer en plusieurs points publics de Paris et de la banlieue, de grandes surfaces de bandes vertes. Mais, dans les circonstances politiques que connaît la France, on ne sait jamais et cet affichage aurait pu être interprété comme une provocation.../”
in Les Ecrits :TI, p. 69:
“.../ On a pu, on peut, on pourra voir ce que nous appellerons “mon travail, dans les rues ou ailleurs, à Paris ou ailleurs, sans lieu public privilégié; .../”. Donc voir date affichage sauvage
_________________________________
Verifier si biblio dans cat Documenta
__________________________________________
A vérifier par Vesna
* Boudaille, Georges, “Buren : le scopitone contestataire”, in Les Lettres Françaises, Paris, mai 1969, n° 1282, cit. p.x.
* Gassiot-Talabot, Gérard, “La Proposition de Buren” (”Interrogatoire” - entretien avec Daniel Buren), in Opus International, Paris, n° 12, juin 1969, cit. p. 16,17, 19.
* Claura, Michel, “Comment”, in Studio International, Londres, volume 179, n° 920, mars 1970, cit. p.105.
* Denizot, René, “Qu’est-ce qui, essentiellement, est à dire ?”, in Studio International / Book Supplement, Londres, juillet-août 1970, n° 17 / 6, cit. p. x.
* Buren, Daniel, “Didascalies”, in Photos-Souvenirs 1965-1988, Villeurbanne : Art Édition, décembre 1988, cit. n° 33-36, p. 285., repr. n° 33-36, n.p.
* Buren, Daniel / Claura, Michel / Denizot, Michel, “Températures relevées sous abri et évolution probable du temps”, (texte de 1969, inédit en 1991) in Les Écrits, Bordeaux : capc, tome I, 1965-1990, 2e trim. 1991, cit. p. 65-67.
* Buren, Daniel, in Mot à Mot, Paris : Centre Pompidou / Éditions Xavier Barral / Éditions de la Martinière, juin 2002, cit. repr. coul. p. F14-F15.
----------------------------------------------------------------------------
unes phoos n° 5/23 ? André Raffray",
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"historique_base_non_publie" => "* 1969, collection particulière, Paris, France",
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"geo" => "48.856614, 2.3522219",
"addendum" => "0",
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"date_dessin" => "0000-00-00",
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"figurative" => ""
),
"ArtworkLang" => array(
"id" => "2971",
"artwork_id" => "2060",
"lang" => "eng",
"bibliographie" => "* Buren, Daniel, “Interruption”, Paris : feuillet polycopié, avril 1969 ;
repris dans [”Interruption”], in Chroniques de l’Art Vivant, Paris, juillet 1969, n° 3.
* Boudaille, Georges, “Buren : Le scopitone contestataire”, in Les Lettres Françaises, Paris, mai 1969, n° 1282, cit. p.x.
* Gassiot-Talabot, Gérard, “La Proposition de Buren” (”Interrogatoire” - entretien avec Daniel Buren), in Opus International, Paris, juin 1969, n° 12, cit. p. 16,17, 19.
* Claura, Michel, “Comment”, in Studio International, Londres, mars 1970, volume 179, n° 920, cit. p.105.
* Denizot, René, “Qu’est-ce qui, essentiellement, est à dire ?”, in Studio International / Book Supplement, Londres, juillet-août 1970, n° 17 / 6, cit. p. x.
* Buren, Daniel, “Didascalies”, in Photos-Souvenirs 1965-1988, Villeurbanne : Art Édition, décembre 1988, cit. n° 33-36, p. 285., repr. n° 33-36, n.p.
* Buren, Daniel / Claura, Michel / Denizot, Michel, “Températures relevées sous abri et évolution probable du temps”, [texte de 1969, inédit en 1991] in Les Écrits, Bordeaux : capc, tome I, 1965-1990, 2e trim. 1991, cit. p. 65-67.
* Buren, Daniel, in Mot à Mot, Paris : Centre Pompidou / Éditions Xavier Barral / Éditions de la Martinière, juin 2002, cit. repr. coul. p. F14-F15.",
"collection" => "private collection, Paris, France",
"commande" => "",
"commissaire_projet_a_linitiative" => "One man show",
"description_oeuvre_cat_rais" => "Presentation of 8 films, made on Super 8 mm color film with sound added later, starting with a Scopitone - a device that could be found at that time in all the cafes in Paris - a sort of Juke-Box for films which allowed the user to select and watch individual films on an unpolished glass screen.
The Scopitone was brought into the gallery space in the middle of the works of the preceding exhibition, left as it was and played during the show.
Titles of the films:
• La Critique et La Foi, (3'5"), text by Michel Claura;
• Températures relevées sous abri and Évolution probable du temps (4'10"), text by Daniel Buren and Michel Claura;
• Biographie (20"), text by Daniel Buren;
• La partie de cartes (4'15"), text by Daniel Buren;
• Mise au point (20"), text by Daniel Buren;
• Qu'est-ce qui essentiellement est à dire? (4'20"), text by René Denizot;
• Petites annonces (3'5"), text by Daniel Buren and Michel Claura;
• Topographie (25"), text by Daniel Buren.
Texts: Daniel Buren, Michel Claura, René Denizot
Director: Daniel Buren
Production: Yvon Lambert
Cameraman: Jacques Caumont
The entire collection of films "Interruption" is available in the DVD Works and Process "Daniel Buren", a.p.r.e.s. editions, Paris 2002: www.apres-production.com",
"dimensions_hxl" => "",
"historique" => "• 1969 private collection, Paris, France",
"inscriptions_principales" => "",
"inscriptions_secondaires" => "",
"inscriptions_text" => "",
"inventaire_id" => "",
"mois" => "April",
"oeuvre_gallery" => "",
"pays" => "France",
"projet_non_retenu" => "",
"realise" => "in Galerie Yvon Lambert",
"technique" => "Super 8 mm films, color and sound.",
"titre_oeuvre_original" => "Interruption",
"titre_oeuvre_posterieur" => "",
"titre_traduit" => "Interruption",
"travail_in_situ_oeuvre" => "Work in situ",
"ville" => "Paris",
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"continent" => "Europe",
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"expo_censuree" => "",
"expo_film_TV" => "",
"expo_on_web" => "Oui",
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"intervention_plastique_dans_catalogue" => "",
"invitation_par_email" => "email",
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"n_ref_commentaire_1" => "E1867 - O2060",
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"nota" => "",
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"oeuvres_exposees" => "n° 1969-2060, Interruption, 1969, (film : La partie de cartes )",
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"type_lieu_exposition" => "Musée/Institution d'art",
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include - APP/views/artworks/view5.ctp, line 73
View::_render() - CORE/cake/libs/view/view.php, line 731
View::render() - CORE/cake/libs/view/view.php, line 426
Controller::render() - CORE/cake/libs/controller/controller.php, line 909
ArtworksController::view() - APP/controllers/artworks_controller.php, line 263
Dispatcher::_invoke() - CORE/cake/dispatcher.php, line 204
Dispatcher::dispatch() - CORE/cake/dispatcher.php, line 171
[main] - APP/webroot/index.php, line 83
* Gassiot-Talabot, Gérard : “La Proposition de Buren - Interrogatoire” [entretien avec Daniel Buren], in Opus International, Paris : Éditions Georges Fall, n° 12, juin 1969, cit. p. 16, 17, 19
* Buren, Daniel; Charre, Alain : "Nous ne serons jamais sereins" [conversation publique avec Alain Charre, à l'occasion du Premier Laboratoire Expérimental sur l'Art et la Ville, Givors, septembre 1991], in Art et espace publics, Givors : OMAC - Maison du Rhône , 1992, cit. p. 68
