In "Documenta 5", Museum Fridericianum et Neue Galerie.
Alternating white and eggshell vertical silkscreen striped paper, each stripe 8.7 cm. wide, paste.
Variable dimensions.
Invitation of the general commisaire Harald Szemman to participate in the sections “Die Realität von Kunst als Thema der Kunst” , curated by Johannes Cladders and "Idee + Idee / Licht", by Konrad Fischer and Klaus Honnef / Gisela Kaminski.
In reality, the works were spread through the seven sections of the exhibition by covering over of one wall or partition in each section with egg shell white and white striped paper. On some of these were hung - like on a background wall - the paintings of other artists such as Hanne Darboven, Jasper Johns, Sol LeWitt, Brice Marden, Robert Ryman.
Question about the nature of the work presented: painting in one case and/or decorative wallpaper in the other?
Seven sections.
Museum Friedcianum: Idee + Idee Lumiere.
Nueu Gallery: Pious Imagery (1), Political Propaganda (1), Arts and Mental Illness (1), Realism (1), Individual Mythologies (1).
Notice (8): Undefined index: mois [APP/views/artworks/view.ctp, line 90]Code |
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print $expo['ExhibitLang']['mois']." ".$expo['annee_debut_expo'].", ";
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"description_originales_notes_diverses" => "in cat . Eigh Contemporary Artists, Moma, 1974
Invité à participer dans la section “Idee + Idee / Licht”, dirigée par Konrad Fischer et Klaus Honnef section 17, pp. 28-34 (C65, C 83). et “Die Realität von Kunst als Thema der Kunst” by Johannes Cladders Voir section 16, pp.1-16,
Travail installé 15 jours avant le vernissage et “accrochant” d’autres oeuvres dans 7 sections dans 2 bâtiments.
Dans “Idea”, blanc sur papier blanc sur toute la hauteur du mur, entre deux portes d’entrée (dans la galerie, oeuvres de LeWitt, Long, Marden, Ryman, Darboven). Dans d’autres sections, blanc sur papier blanc installé comme une “idée” mais comme mur de fond pour d’autres oeuvres. Est-ce un peinture dans un hall et du papier décoratif dans l’autre ? Ou est-ce toujours de l’art, toujours de la peinture, et dans ce cas, que deviennent les peintures accrochées par dessus; Révélation des espaces “entre”. Et peinture sur peinture. Blanc sur blanc. Mur sur mur.",
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"nota" => "Photos-Souvenirs n° 80 à 82
cf texte de Daniel : Rebondissements , Daled-Gevaert, 1974, biblio n° 1977-1954; p. 8
____________________________
Die Realität von Kunst als Thema der Kuns = La réalité de l'art comme le sujet de l'art
---------------------------------------------------------------------------------
18 mai 2011envoyé à Simone Battisti, Bortolami Gallery
Daniel Buren
Historique présentation de l'œuvre "Exposition d’une exposition : : Une Pièce en sept tableaux", travail in situé, juin 1972
MUSEES
* n° 1972-2087 Exposition d’une exposition In « Documenta 5 »,Museum Fridericianum, Cassel juin 1972, Papier à rayures blanc cassé sur blanc Daniel Buren
* idem Exposition d’une exposition In « Comme Lieu, Situation 1 », Le Nouveau Musée, Villeurbanne Juin 1972 / Novembre 1986 Papier à rayures blanc cassé sur blanc Daniel Buren
* idem Exposition d’une exposition In « Comme Lieu, Situation I », Musée des Arts Décoratifs, Paris Juin 1972 / Mars 1987 Papier à rayures blanc cassé sur blanc Daniel Buren
* idem Exposition d’une exposition In “Target Practice: Painting Under Attack 1949-78”, Seattle Art Museum, Seattle Juin 1972 / Juin 2009 Papier à rayures blanches et gris clair Daniel Buren
GALERIES
* n° 2006-2564, travail situé, Exposition d’une exposition : Rebondissement in galleria Continua (San Gimignano, Italie / Beijing, Chine), “Art/ Basel / Miami Beach", Miami Beach Convention Center, Juin 1972 / Décembre 2006 Peinture acrylique bleue et vinyle auto-adhésif blanc Marianne Boesky (achat à la gallerie Continua)
* n° 2006-2638 Rebondissement - Rose In collection privée Juin 1972 / Décembre 2006 Peinture acrylique rose très pâle et vinyle auto-adhésif blanc M. Girardi, (achat à la galleria Continua, )
* n° 2008-2725 Papier collé pour un tableau / Wall Paper for One Painting in “The Armory Show”, Bortolami Gallery (New York, Pier 94, 26-31 mars 2008, Juin 1972 / mars 2008 Papier à rayures blanches et gris clair D. Buren
*. 2008 -2725, Papier collé pour un tableau / Wall Paper for One Painting In “Re-Dressing”, Bortolami Gallery, New York, 15 septembre-6 novembre 2010 Juin 1972 / novembre 2010 Papier à rayures blanches et blanc cassé D. Buren
------------------------
n° 2013-3364, Papiers collés, sérigraphie encre blanche sur papier blanc, in “A Stone Left Unturned”, galerie Yvon Lambert, Paris, 1er février-9 mars 2013
------------------------------------------------------------------------------
Daniel Buren
Historique présentation de l'œuvre "Exposition d’une exposition : Une Pièce en sept tableaux", juin 1972, travail in situ
MUSEES
* n° 1972-2087 Exposition d’une exposition : une pièce en sept tableaux
juin 1972, travail in situ,
in « Documenta 5 », Museum Fridericianum – Neue Galerie, Cassel,
Papier à rayures blanc cassé sur blanc ;
* n° 1972-2087 d’Après Exposition d’une exposition
Juin 1972 / Novembre 1986, travail in situ,
in « Comme Lieu, Situation 1 », Le Nouveau Musée, Villeurbanne
Papier à rayures blanc cassé sur blanc
* n° 1972-2087 d’Après Exposition d’une exposition
Juin 1972 / Mars 1987, travail in situ,
in « Comme Lieu, Situation I », Musée des Arts Décoratifs, Paris
Papier à rayures blanc cassé sur blanc
* n° 1972-2087 d’Après Une Exposition d’une exposition
Juin 1972 / Juin 2009, travail in situ,
in “Target Practice: Painting Under Attack 1949-78”, Seattle Art Museum, Seattle
Papier à rayures blanches et gris clair
GALERIES
* n° 2006-2564 Exposition d’une exposition : Rebondissement
Juin 1972 / Décembre 2006, travail in situ,
in galleria Continua (San Gimignano, Italie / Beijing, Chine), “Art/ Basel / Miami Beach", Miami Beach Convention Center
Collection : Marianne Boesky (achat à la galleria Continua)
Peinture acrylique bleue et vinyle auto-adhésif blanc
* n° 2006-2638 Rebondissement - Rose
Juin 1972 / Décembre 2006, travail in situ,
in collection privée M. Girardi, (achat à la galleria Continua, )
Peinture acrylique rose très pâle et vinyle auto-adhésif blanc
* n° 2008-2725. Papier collé pour un tableau / Wall Paper for One Painting
Juin 1972 / mars 2008, travail in situ,
in “The Armory Show”, Bortolami Gallery (New York, Pier 94,
26-31 mars 2008,
Papier à rayures blanches et gris clair
*. 2008 -2725 Papier collé pour un tableau / Wall Paper for One Painting
Juin 1972 / novembre 2010, travail in si
In “Re-Dressing”, Bortolami Gallery, New York,
15 septembre-6 novembre 2010
Papier à rayures blanches et blanc cassé
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In reality, the works were spread through the seven sections of the exhibition by covering over of one wall or partition in each section with egg shell white and white striped paper. On some of these were hung - like on a background wall - the paintings of other artists such as Hanne Darboven, Jasper Johns, Sol LeWitt, Brice Marden, Robert Ryman.
Question about the nature of the work presented: painting in one case and/or decorative wallpaper in the other?
Seven sections.
Museum Friedcianum: Idee + Idee Lumiere.
Nueu Gallery: Pious Imagery (1), Political Propaganda (1), Arts and Mental Illness (1), Realism (1), Individual Mythologies (1).",
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"ImageLang" => array(
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"comment1" => "",
"comment2" => null
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)
$key = 3
$url = "http://www.danielburen.com/files/images/r2_1972_cassel_2087_002.jpg"
$expo = array(
"id" => "1670",
"adresse_site" => "",
"annee_debut_expo" => "2009",
"annee_fin_expo" => "",
"artistes_exposition" => "",
"bibio_publication_title" => "",
"carton_archive" => "",
"carton_invitation" => "oui",
"catalogue_archive" => "",
"catalogue_contenu" => "",
"continent" => "Amerique du Nord",
"date_inform_debut_expo_bad" => "0000-00-00",
"date_inform_fin_expo_bad" => "0000-00-00",
"doc_carton_affiche" => "",
"expo_alias_calc" => "",
"expo_censuree" => "",
"expo_film_TV" => "",
"expo_on_web" => "Oui",
"expo_realisee_seul" => "",
"intervention_plastique_dans_catalogue" => "",
"invitation_par_email" => "",
"journ_expo" => "",
"journ_expo_archive" => "",
"mois_arrivee" => "",
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"musique_theatre" => "",
"n_oeuvre_1" => "142",
"n_oeuvre_10" => "",
"n_oeuvre_2" => "2087",
"n_oeuvre_3" => "",
"n_oeuvre_4" => "",
"n_oeuvre_5" => "",
"n_oeuvre_6" => "",
"n_oeuvre_7" => "",
"n_oeuvre_8" => "",
"n_oeuvre_9" => "",
"n_ref_commentaire_1" => "E1670 - O142",
"n_ref_commentaire_10" => "E1670 - O",
"n_ref_commentaire_2" => "E1670 - O2087",
"n_ref_commentaire_3" => "E1670 - O",
"n_ref_commentaire_4" => "E1670 - O",
"n_ref_commentaire_5" => "E1670 - O",
"n_ref_commentaire_6" => "E1670 - O",
"n_ref_commentaire_7" => "E1670 - O",
"n_ref_commentaire_8" => "E1670 - O",
"n_ref_commentaire_9" => "E1670 - O",
"nombre_visiteurs_exposition" => "",
"nota" => "",
"notes_expo" => "",
"oeuvre_alias" => "",
"oeuvres_exposees" => "n° 1973/1976-142, One Piece in Four Parts on two parallel Walls, 1973/1976
n° 1972-2087, R, Exposition d’une exposition, 1972 / 2009",
"ref_exposition" => "B",
"template_id_expo" => "1",
"texte_polycopie" => "",
"type_exposition" => "Exposition de groupe",
"type_exposition_2" => "Exposition de groupe",
"type_lieu_exposition" => "Musée/Institution d'art",
"date_inform_debut_expo" => "2009-06-25",
"date_inform_fin_expo" => "2009-12-31",
"is_active" => "1",
"documents_exposes" => "",
"use_static_biblio" => "1",
"use_dynamic_biblio" => "0",
"expo_on_catalogue" => "0",
"geo" => "47.6062095, -122.3320708",
"ArtworksExhibit" => array(
"id" => "2568",
"artwork_id" => "2087",
"expo_id" => "1670"
),
"ExhibitLang" => array()
)
include - APP/views/artworks/view.ctp, line 90
View::_render() - CORE/cake/libs/view/view.php, line 731
View::render() - CORE/cake/libs/view/view.php, line 426
Controller::render() - CORE/cake/libs/controller/controller.php, line 909
ArtworksController::view() - APP/controllers/artworks_controller.php, line 263
Dispatcher::_invoke() - CORE/cake/dispatcher.php, line 204
Dispatcher::dispatch() - CORE/cake/dispatcher.php, line 171
[main] - APP/webroot/index.php, line 83
2009,
Notice (8): Undefined index: titre_expo_original [APP/views/artworks/view.ctp, line 95]Code |
Context else
{
print $expo['ExhibitLang']['titre_expo_original'];
$___viewFn = "/homepages/18/d101329151/htdocs/danielburen_cms/catalogue_cms_prod/app/views/artworks/view.ctp"
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"Denmark" => "Denmark",
"France" => "France",
"Germany" => "Germany",
"Great Britain" => "Great Britain",
"Italy" => "Italy",
"Japan" => "Japan",
"Sweden" => "Sweden",
"Switzerland" => "Switzerland",
"the Netherlands" => "the Netherlands",
"United States" => "United States",
"United-States" => "United-States",
"Yugoslavia" => "Yugoslavia"
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$all_expo_countries = array(
"Austria" => "Austria",
"Belgium" => "Belgium",
"Canada" => "Canada",
"Denmark" => "Denmark",
"France" => "France",
"Germany" => "Germany",
"Great Britain" => "Great Britain",
"Italy" => "Italy",
"Japan" => "Japan",
"Sweden" => "Sweden",
"Switzerland" => "Switzerland",
"the Netherlands" => "the Netherlands",
"United States" => "United States",
"United-States" => "United-States",
"Yugoslavia" => "Yugoslavia"
)
$all_expo_types = array(
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"Exposition personnelle" => "Exposition personnelle",
"Exposition personnelle dans revue" => "Exposition personnelle dans revue"
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"acquereur_code_postal" => "",
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"acquereur_id" => "",
"acquereur_nom" => "Buren",
"acquereur_nouveau_nom_adresse" => "",
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"annee_debut" => "1972",
"annee_fin" => "",
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"avec_lassistance_de_1" => "",
"base_donnees_expo_id" => "5165",
"caracteres_speciaux" => "",
"catalogue_raisonne" => "",
"code_postal_ville_pays" => "",
"colis_caisse_numero" => "",
"commentaire_a_intention_de_daniel_buren" => "",
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"continent" => "Europe",
"copyright_photo" => "",
"d_un_avertissement" => "",
"d_un_certificat_d_acquisition" => "",
"d_une_fiche_technique" => "",
"daniel_buren_21_rue_de_navarin_75009_paris" => "",
"daniel_buren_ou_de_ses_ayants_droit_jusqua" => "",
"datation_par_avertissement" => "",
"datation_par_photo" => "",
"date_du_depot_initial" => "",
"date_et_signature_du_depositaire" => "",
"date_oeuvre_1occurence_bad" => "0000-00-00",
"date_oeuvre_1occurence" => "1972-06-28",
"date_oeuvre_calculee" => "",
"date_oeuvre_reinterpretation" => "1972-06-28",
"date_signature_acquereur" => "",
"datee" => "",
"depositaire_nom" => "",
"depositaire_nom_adresse_tel_telecopie_courriel" => "",
"depot_consenti_jusqu_au" => "",
"depot_consenti_le" => "",
"depot_renouvele_le" => "",
"depots_successifs" => "",
"description_originales_notes_diverses" => "in cat . Eigh Contemporary Artists, Moma, 1974
Invité à participer dans la section “Idee + Idee / Licht”, dirigée par Konrad Fischer et Klaus Honnef section 17, pp. 28-34 (C65, C 83). et “Die Realität von Kunst als Thema der Kunst” by Johannes Cladders Voir section 16, pp.1-16,
Travail installé 15 jours avant le vernissage et “accrochant” d’autres oeuvres dans 7 sections dans 2 bâtiments.
Dans “Idea”, blanc sur papier blanc sur toute la hauteur du mur, entre deux portes d’entrée (dans la galerie, oeuvres de LeWitt, Long, Marden, Ryman, Darboven). Dans d’autres sections, blanc sur papier blanc installé comme une “idée” mais comme mur de fond pour d’autres oeuvres. Est-ce un peinture dans un hall et du papier décoratif dans l’autre ? Ou est-ce toujours de l’art, toujours de la peinture, et dans ce cas, que deviennent les peintures accrochées par dessus; Révélation des espaces “entre”. Et peinture sur peinture. Blanc sur blanc. Mur sur mur.",
"don_de_l_artiste" => "",
"editions_11_28_48" => "",
"email_depositaire" => "",
"en_cas_d_incident_reparable" => "",
"etat_conservation" => "",
"exhibit_selector" => "117",
"expo_id" => "",
"expo_itinerante" => "",
"expo_pers_groupe_commiss_a_linitiative_de" => "",
"exposition_alias" => "",
"expositions" => "1972 Cassel1986 Villeurbanne1987 Paris2009 Seattle",
"fiche_description_cat_rais" => "",
"frais_production_oeuvre" => "",
"france" => "",
"j_ai_cede_l_oeuvre_en" => "",
"je_joins_photographie_s" => "",
"je_lui_ai_transmis_l_avertissement" => "",
"je_souhaite_que_l_oeuvre" => "",
"je_suis_en_possession" => "",
"je_vous_transmets_l_avertissement" => "",
"jusqu_au" => "",
"legende_diaporama" => "",
"lettre_cat_raisonne_envoyee" => "",
"livre_d_artiste" => "",
"localisation" => "Travail détruit après l'exposition",
"mode_d_emploi" => "",
"mois_annee_fin" => "",
"montant_ht_non_negociable_pour_daniel_buren" => "",
"montant_ttc_non_negociable_pour_daniel_buren" => "",
"n_cat_rais_oeuvres_exposees" => "",
"n_espace_stockage" => "",
"n_inv_galerie" => "",
"n_inv_musee_coll_publique" => "",
"nbre_caisse_s_" => "",
"nota" => "Photos-Souvenirs n° 80 à 82
cf texte de Daniel : Rebondissements , Daled-Gevaert, 1974, biblio n° 1977-1954; p. 8
____________________________
Die Realität von Kunst als Thema der Kuns = La réalité de l'art comme le sujet de l'art
---------------------------------------------------------------------------------
18 mai 2011envoyé à Simone Battisti, Bortolami Gallery
Daniel Buren
Historique présentation de l'œuvre "Exposition d’une exposition : : Une Pièce en sept tableaux", travail in situé, juin 1972
MUSEES
* n° 1972-2087 Exposition d’une exposition In « Documenta 5 »,Museum Fridericianum, Cassel juin 1972, Papier à rayures blanc cassé sur blanc Daniel Buren
* idem Exposition d’une exposition In « Comme Lieu, Situation 1 », Le Nouveau Musée, Villeurbanne Juin 1972 / Novembre 1986 Papier à rayures blanc cassé sur blanc Daniel Buren
* idem Exposition d’une exposition In « Comme Lieu, Situation I », Musée des Arts Décoratifs, Paris Juin 1972 / Mars 1987 Papier à rayures blanc cassé sur blanc Daniel Buren
* idem Exposition d’une exposition In “Target Practice: Painting Under Attack 1949-78”, Seattle Art Museum, Seattle Juin 1972 / Juin 2009 Papier à rayures blanches et gris clair Daniel Buren
GALERIES
* n° 2006-2564, travail situé, Exposition d’une exposition : Rebondissement in galleria Continua (San Gimignano, Italie / Beijing, Chine), “Art/ Basel / Miami Beach", Miami Beach Convention Center, Juin 1972 / Décembre 2006 Peinture acrylique bleue et vinyle auto-adhésif blanc Marianne Boesky (achat à la gallerie Continua)
* n° 2006-2638 Rebondissement - Rose In collection privée Juin 1972 / Décembre 2006 Peinture acrylique rose très pâle et vinyle auto-adhésif blanc M. Girardi, (achat à la galleria Continua, )
* n° 2008-2725 Papier collé pour un tableau / Wall Paper for One Painting in “The Armory Show”, Bortolami Gallery (New York, Pier 94, 26-31 mars 2008, Juin 1972 / mars 2008 Papier à rayures blanches et gris clair D. Buren
*. 2008 -2725, Papier collé pour un tableau / Wall Paper for One Painting In “Re-Dressing”, Bortolami Gallery, New York, 15 septembre-6 novembre 2010 Juin 1972 / novembre 2010 Papier à rayures blanches et blanc cassé D. Buren
------------------------
n° 2013-3364, Papiers collés, sérigraphie encre blanche sur papier blanc, in “A Stone Left Unturned”, galerie Yvon Lambert, Paris, 1er février-9 mars 2013
------------------------------------------------------------------------------
Daniel Buren
Historique présentation de l'œuvre "Exposition d’une exposition : Une Pièce en sept tableaux", juin 1972, travail in situ
MUSEES
* n° 1972-2087 Exposition d’une exposition : une pièce en sept tableaux
juin 1972, travail in situ,
in « Documenta 5 », Museum Fridericianum – Neue Galerie, Cassel,
Papier à rayures blanc cassé sur blanc ;
* n° 1972-2087 d’Après Exposition d’une exposition
Juin 1972 / Novembre 1986, travail in situ,
in « Comme Lieu, Situation 1 », Le Nouveau Musée, Villeurbanne
Papier à rayures blanc cassé sur blanc
* n° 1972-2087 d’Après Exposition d’une exposition
Juin 1972 / Mars 1987, travail in situ,
in « Comme Lieu, Situation I », Musée des Arts Décoratifs, Paris
Papier à rayures blanc cassé sur blanc
* n° 1972-2087 d’Après Une Exposition d’une exposition
Juin 1972 / Juin 2009, travail in situ,
in “Target Practice: Painting Under Attack 1949-78”, Seattle Art Museum, Seattle
Papier à rayures blanches et gris clair
GALERIES
* n° 2006-2564 Exposition d’une exposition : Rebondissement
Juin 1972 / Décembre 2006, travail in situ,
in galleria Continua (San Gimignano, Italie / Beijing, Chine), “Art/ Basel / Miami Beach", Miami Beach Convention Center
Collection : Marianne Boesky (achat à la galleria Continua)
Peinture acrylique bleue et vinyle auto-adhésif blanc
* n° 2006-2638 Rebondissement - Rose
Juin 1972 / Décembre 2006, travail in situ,
in collection privée M. Girardi, (achat à la galleria Continua, )
Peinture acrylique rose très pâle et vinyle auto-adhésif blanc
* n° 2008-2725. Papier collé pour un tableau / Wall Paper for One Painting
Juin 1972 / mars 2008, travail in situ,
in “The Armory Show”, Bortolami Gallery (New York, Pier 94,
26-31 mars 2008,
Papier à rayures blanches et gris clair
*. 2008 -2725 Papier collé pour un tableau / Wall Paper for One Painting
Juin 1972 / novembre 2010, travail in si
In “Re-Dressing”, Bortolami Gallery, New York,
15 septembre-6 novembre 2010
Papier à rayures blanches et blanc cassé
",
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"provenance" => "",
"ref_avertissement" => "",
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"reinterpretee_del_futur" => "O",
"releve_d_etiquette" => "",
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"restauration" => "",
"rubrique" => "",
"sauf_demande_de_reprise_de_daniel_buren_ou_ayants_droit" => "",
"serie" => "Papier collé",
"signature_de_daniel_buren_feuille_depot" => "",
"signee" => "",
"site" => "",
"t_11_1964_1966_dom_verifier" => "",
"t_xiii_r_del_futur" => "",
"telecopie_depositaire" => "",
"telephone_depositaire" => "",
"template_id_oeuvre" => "1",
"tome" => "T IV",
"tome_order" => "221",
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"type_oeuvre" => "Oeuvre",
"v2" => "",
"villepays_calc" => "",
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"historique_base_non_publie" => "",
"use_static_biblio" => "0",
"use_dynamic_biblio" => "1",
"inventaire_musee_coll_publ_id" => "",
"oeuvre_on_catalogue" => "1",
"mot_cle_iconographique" => "",
"mot_cle_thematique" => "",
"geo" => "51.3127114, 9.4797461",
"addendum" => "0",
"inventaire_eg" => "",
"certificate_dauthenticite" => null,
"date_dessin" => "0000-00-00",
"localisation_stock" => null,
"originating_folder_name" => null,
"image_file_name" => null,
"commentaire1" => null,
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"figurative" => ""
),
"ArtworkLang" => array(
"id" => "3372",
"artwork_id" => "2087",
"lang" => "eng",
"bibliographie" => "",
"collection" => "",
"commande" => "",
"commissaire_projet_a_linitiative" => "Group exhibition",
"description_oeuvre_cat_rais" => "Invitation of the general commisaire Harald Szemman to participate in the sections “Die Realität von Kunst als Thema der Kunst” , curated by Johannes Cladders and "Idee + Idee / Licht", by Konrad Fischer and Klaus Honnef / Gisela Kaminski.
In reality, the works were spread through the seven sections of the exhibition by covering over of one wall or partition in each section with egg shell white and white striped paper. On some of these were hung - like on a background wall - the paintings of other artists such as Hanne Darboven, Jasper Johns, Sol LeWitt, Brice Marden, Robert Ryman.
Question about the nature of the work presented: painting in one case and/or decorative wallpaper in the other?
Seven sections.
Museum Friedcianum: Idee + Idee Lumiere.
Nueu Gallery: Pious Imagery (1), Political Propaganda (1), Arts and Mental Illness (1), Realism (1), Individual Mythologies (1).",
"dimensions_hxl" => "Variable dimensions.",
"historique" => "",
"inscriptions_principales" => "",
"inscriptions_secondaires" => "",
"inscriptions_text" => "",
"inventaire_id" => "",
"mois" => "June",
"oeuvre_gallery" => "",
"pays" => "Germany",
"projet_non_retenu" => "",
"realise" => "In "Documenta 5", Museum Fridericianum et Neue Galerie.",
"technique" => "Alternating white and eggshell vertical silkscreen striped paper, each stripe 8.7 cm. wide, paste.",
"titre_oeuvre_original" => "Exposition d’une exposition : Une Pièce en sept tableaux",
"titre_oeuvre_posterieur" => "",
"titre_traduit" => "Exhibition of an exhibition: One work in seven pictures",
"travail_in_situ_oeuvre" => "Work in situ",
"ville" => "Cassel",
"design_title" => null,
"autres_titres" => null,
"oures_de_reference" => null,
"inscriptions" => null,
"notes_certificate" => null,
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* Caumont, Jacques; Gough-Cooper, Jennifer : "Le Schloss Bellevue, ou Kassel et son Panorama", in Werk, Zürich : BSA Bund Schweizer Architekten, n° 11, novembre 1972, allemand, anglais, français, cit. p. 655, 656, 659
* Buren, Daniel : "Quis, Quid, Ubi, Quibus, Auxillis, Cur, Quomodo, Quando? - Exposition-Position-Proposition, 2e partie", in Eight Contemporary Artists, New York : The Museum of Modern Art, 1974, anglais, cit. p. 23
* Lyotard, Jean-François : "Preliminary Notes on the Pragmatic of Works: Daniel Buren", in October, Cambridge, Massachusetts : MIT Press for the institute for Architecture and Urban Studies, n° 10, Automne 1979, anglais, cit. p. 62
* Boutkan, Dik; de Graaf, Rob : "Bij Daniel Buren is niets meer te zien dan er te zien is: kunst als object van de kunstenaar", in Wonen-TA/BK, Amsterdam : Stichting Wonen, n°7, avril 1980, néerlandais, cit. p. 19
* Francblin, Catherine; Millet, Catherine : "Daniel Buren, promener ses yeux dans l'expace" [Interview de Catherine Francblin par Catherine Millet], in Art press, Paris, n° 112, mars 1987, cit. p. 7
* Buren, Daniel; Francblin, Catherine; Soutif, Daniel : "L'artiste met la critique en questions" [Entretien de Catherine Francblin par Daniel Buren], in Libération, Paris, 14-15 mars 1987, cit. p. 29
* Lyotard, Jean-François : "Vorbemerkungen über die Pragmatik der Werke (insbesondere zu den Werken von Daniel Buren)", in Über Daniel Buren, Stuttgart : Edition Patricia Schwarz, Galerie Kubinski, 1987, allemand, cit. p. 21
* Isozaki, Arata : "Daniel Buren - Logique de l'intervention : les deux plateaux", in L'art et la ville, Genève : Skira, 1990, français, anglais, cit. p. 202
* Gintz, Claude : "Le même et l'autre à l'oeuvre dans le travail de Louise Lawler", in Ailleurs et Autrement, Paris : éditions Jacqueline Chambon, Critiques d'art, 1993, cit. p. 137
* Gintz, Claude : "Entre extrémisme et rupture, l'art conceptuel comme alternative à l'oeuvre d'art comme chose sensible", in Ailleurs et Autrement, Paris : éditions Jacqueline Chambon, Critiques d'art, 1993, cit. p. 211, 212
* von Hantelmann, Dorothea : “The Reality of Art / Context and Agency in the Works of Daniel Buren”, in How to Do Things with Art / The Meaning of Art’s Performativity, Zurich / Dijon : JRP / Ringier & Les Presses du réel, Documents, 2010, anglais, repr. p. 77
* Buren, Daniel; Francblin, Catherine : "La beauté est un plus, entretien avec Catherine Francblin", in Les grands entretiens d'Art press : Daniel Buren, Paris : art press, avril 2015, cit. p. 52